VISUALISATION POSTERS
OVER THE WINTRY
Over the wintry
Forest, winds howl in rage
With no leaves to blow
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by Natsume Souseki
(Good Reads, n.d.)
For this assessment, using my chosen haiku (above), every week we designed a poster based off of it, following a different brief each time.
#posters #DES101
Create a composition using repetition, containing only geometric shape(s) and B&W colour

POSTER 1
PIERCING WRATH UPON WINTER
Technique: Collage
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I aimed to represent rage and violence by juxtapositioning sharp and chaotic, sharp triangles and lines that have a repetition of shape, against the smooth circle (Wong, 1993). I was inspired by El Lissitzky’s artwork, “Beat the Whites with the Red Wedge”
I represented the wind as sharp triangles in a rage with the circle as the winter forest with the straight lines as both trees and the wind. I left the objects white and background black as the wind is a nonphysical object, so it would make sense to be in negative space, and the forest is left white as it is a “Wintry Forest”.
I used penetration interrelationships to show that despite the rage from the wind, both the wind and the winter forest cannot harm each other. “Both forms appear transparent. There is no obvious above and below the relationship between them.” (Wong, 1972) I also kept the composition asymmetrical to have a more dynamic and moving design. (Dabner and Swann, 2014)
I found creating this poster very difficult as I was only limited to geometric shapes, which forced me to take a more abstract route, which I had never done before. I can now take what I learned about composition, shapes and negative and positive space into my next design projects.
Apply principles of colour theory, include textual elements (e.g. movie title, director) considering organisational principles of typography and carefully think about signifier and signified.

POSTER 2
THE WINTRY WOODS
Technique: Software - Photoshop
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I derived the title, “The Wintry Woods” from the first line of my haiku. I interpreted it into a supernatural horror film, taking inspiration from the movie “Into the Woods” and the webcomic “I’m the Grim Reaper”.
I found it difficult to specify a movie genre for my poster only off the title “The Wintry Woods”. However, I decided that woods at night were a perfect semiotic to signify terror and mystery because it scares many people as scary films, books and stories often use woods as a setting (Warzecha, 2018).
To create a good composition for the poster, I used the rule of thirds, keeping the title in the centre for more emphasis. I also used a light blue in a dark poster so that it becomes the most salient point. I used a triadic colour scheme of blue, red, and yellow (Chapman, 2010). Dark blues for the eerie, nighttime feel, red to signify danger and blood, and yellow as the light source.
I like my poster finished, and for my next designs, I will use the colour theory to create pleasant colour schemes and use the rule of thirds scheme and salience to generate more interest in my design works.
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Create a storyboard/wireframe containing 12 frames and showing at least 3 key moments

POSTER 3
COME WINTER, COME DEATH
Technique: Software - Clip Studio Paint
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I displayed the storyboard as a linear structure, showing a girl who succumbs to Death after getting lost in the snow. I was inspired by the concept of “Death” in “The Book Thief” by Markus Zusak and decided to incorporate his version of Death with my storyboard. Markus Zusak personified Death and takes souls but with care and remorse.
I kept the storyboard colourless and only used colour to signify the meaning behind my storyboard further. I used a mostly complementary colour scheme so that they juxtaposition. Black is Death, while white is life – which is why as the leaf falls, we see it turn to black as she takes her last breath and dies. Orange as warmth and happiness, which juxtapositions blue as cold and sadness. I also made the fox she follows as red, which shows danger. (Gross, n.d.)
I used the skull and scythe to signify that Death was indeed he, as many people are unaware of the personification of Death.
References:
Good Reads. (n.d.). Natsume Souseki Quotes. Good Reads.
https://www.goodreads.com/author/quotes/16061597.Natsume_S_seki
Wucius Wong. (1993). Principles of Form and Design. Van Nostrand Reinhold.
Wucius Wong. (1972). Principles of Two-Dimensional Design. John Wiley.
David Dabner and Alan Swann. (2014). Graphic Design School; the principles and practice of graphic design (Fifth edition). Wiley.
Cameron Chapman. (2010, February 8). Color Theory for Designers: How to create Your Own Color Schemes. Smashing Magazine.
https://www.smashingmagazine.com/2010/02/color-theory-for-designer-part-3-creating-your-own-color-palettes/
Monika Warxecha. (2018, October 26). The Unkown is almost always scary, but when it involves trees, it somehow gets even creepier. National Post
https://nationalpost.com/entertainment/movies/the-unknown-is-almost-always-scary-but-when-it-involves-trees-it-somehow-gets-even-creepier
Rebecca Gross. (n.d.). Color meaning and symbolism: How to use the power of color in your branding. Canva
https://www.canva.com/learn/color-meanings-symbolism/
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